Selected writing
My creative non-fiction can be found in Pigeon Papers NYC, and SAND Journal, among others, and I was longlisted for the CRAFT short fiction prize in 2020 judged by Alexander Chee.
My short story ‘overwintering’, published by Pigeon Papers NYC, was nominated for a Pushcart Prize in 2019.
Essay published in Toledo Magazine: Urban Planning and Social Issues
Essay excerpt:
It’s a hot Sunday afternoon and Dynamo Dresden has won 3:1 against Eintracht. As my train pulls in, one stop before Hoyerswerda (Saxony), I see a throng of five men all in yellow football shirts with at least two crates of beer standing on the platform. The door opens and the sunburnt lads pile in, their yells and chants deafening. In the carriage, everyone tenses and waits, holding their breath to see what happens. Judging from the panicked expressions, we all expect trouble – a fight, drunken hostility, something of that kind. That’s what happens in these parts, right? But, just like that, as the group heads off down the aisles, they lower their voices to a whisper like obedient schoolboys. The hush after they leave behind is eerie as if a black hole has swallowed them up.
Artwork: Private photo of a square in Hoyerswerda, 2023
Essay published in Statorec Magazine:Magic Carpets, Muddy Sticks, and Shit Hills (Writers on Writing edition)
Essay excerpt:
It was in a dingy flat in Barcelona that I first wrote an autobiographical story. I was heavily influenced by my love of Angela Carter’s work, and so it featured a magic carpet, although it was about the abortion I’d had in my early twenties. I remember the basics: a young woman in an open-backed hospital gown goes under the knife in the same hospital where, as a young tomboy, she’d been rushed to A & E several times. Counting down from 100 on the operating slab, she tells the anaesthetist she’ll kill him if she feels a thing. He laughs. In an anaesthetic dream, she clambers onto a magic carpet and flies away from the ugly town where she grew up and the shame of being caught out with an unwanted pregnancy. No prizes for guessing that the slit-backed gown was a metaphor for exposure. The magic carpet, on the other hand, wasn’t just about dissociation or running away. It had no fuselage, life jacket, or parachute; my imagination was the only thing I had to get me out of there.
Artwork: Carpet fragment from Cooper Hewitt, Smithsonian Design Museum Collection, Textiles Department
Short story published in Pigeon Pages NYC, 2018: overwintering
Excerpt from ‘overwintering’
The city’s streets are clear for us. Nevertheless, when we pull up at a traffic light opposite a police car, and the officer casually glances over at us, I feel nauseous. When we hit the motorway, I worry that we don’t have enough petrol, even though the needle is well over the ‘F,’ and I’m driving at the speed I think will save as much fuel as possible. My bladder already feels full. We’re criminals on the run now. …
Artwork: Elena Dao Jing Yu.. From Notation Score Paintings, 2015, series of twelve paintings, 17″ x 14″, acrylic on tracing paper. Photograph courtesy of the artist.
Short story published in Sand Journal, Issue 14, 2016: inclusion
Excerpt from ‘inclusion’
I swung into the drive, turned off the engine and breathed deeply a few times. Were the curtains twitching or was I imagining it? Go in, do what you came to do, leave, I repeated to myself. Like with the car wash or with the shopping, I had divided it into the most basic steps: the first, leaving the house, was behind me, so I had just two more steps to go. Then go home and get back into bed, I could manage that. …
Artwork: SUPERSTAR I (Detail), 2015, by Tiphanie Chetara
Short story published in Sand Journal, Issue 11, 2015: delirium
Excerpt from ‘delirium’
Artwork: Angelique Hering
Essay on Ronald M. Schernikau published in Words Without Borders: Schernikau’s Quiet Radicalism
Essay excerpt
It all started with a photograph of a longhaired man with a beard wearing eyeliner. He gazes with an enigmatic smile into the camera and his fingernails look as if they are lacquered with black polish. The cover of Ronald Schernikau’s Small-town Novella, which I came across when translating the incredible story of this writer for Die Schönheit von Ost-Berlin (The Beauty of East Berlin) at the Deutsches Theater in Berlin, intrigued me.
Cover of Kleinstadtnovelle published by Konkret Verlag, 2002
